Showing posts with label Essays. Show all posts
Showing posts with label Essays. Show all posts

Friday, July 4, 2014

Poo Hoo


by Dani Rogero


I’ve often wondered what goes through an architect’s mind when he designs bathrooms for office buildings. I once had a government job in a relatively new government building. The halls were long and straight, the offices were all of equal size, floor after floor after floor. In the center of each floor, directly across from the elevators and the kitchen, was the entrance to the men’s and women’s bathroom. The design is common enough: an open archway creates an enclosure for two water fountains, and to the left and right a passage lead to the “€” and “” respectively.

From a certain perspective, you might say the structure is similar to a person’s ear canal. It certainly had the same acoustical effect. Sounds drifting down the hallway, from the kitchen, or from groups waiting for the elevator, gather in the enclave—like an ear—and bounce across the tile and ceramic into the very stalls. While the running water in the kitchen sink could serve as an inspiration, hearing your boss discuss the issues of the day so clearly he could be in the stall with you… well that’s completely counter-productive.

The most unsettling seat was definitely the middle stall of that bathroom, the acoustical apex of the loo, where whispers from the hallway reach your ears like a freak exhibition in physics. Who can concentrate on the matters at hand when you’ve got half the office’s voices echoing directly over your head? To make things worse—to really give you a complex—is the idea that if you can hear them, they can hear you. Call it insecurity, call it fanaticism, but when you let rip (…no, not that) the tell-tale tampon wrapper, causing every man in the office to fear a PMS outburst, you turn to the fine arts of stealth bathrooming. Given massive quantities of toilet paper, you can even pee silently.

At least it’s not as bad as those horrid college days when the sounds you make in the john were the least of your problems. Let’s recall the rows of dorm toilets, raised on their tile platforms to maximize the flood damage in case of a clog, the doors crudely labeled with sticky-notes: “pisser, pisser, shitter, pisser, shitter.” The days when your shoes, elevated nine inches higher than the rest of the floor, were on display under the properly labeled stall, letting everyone know what business you were up to. The days when you could step out of a stall and very likely trip over a drunk hall mate, stumble drunk into your resident advisor, or bound half-dressed into someone’s boyfriend (or, on a regular basis one fall term, a guitar player from The Kinks).

In dorm toilets, it wasn’t sound, but silence that struck fear into your hall mates. Silence would make them brush their teeth a little faster, skip 4 steps of their 9-step face regime, all to escape the twitching size six-and-a-half brown tasseled Bass loafers silently peeking out from stall number five, “shitter.”

Maybe it’s me— More to the point, maybe it’s women. Men don’t seem to have sound issues in the bathroom, a cruel lesson I learned during my stint as an editor for a small manufacturing company. The business consisted of a warehouse & production plant full of huge machinery, with a tiny one-story addition for office space. I had a ridiculously small cubicle at the back of the offices, furthest from any natural light. I was in a corner and had two “real” walls, effectively cramming me into a nook directly outside the men’s bathroom.

There were other bathrooms in the plant of course. But this was a small one, with only two stalls, off the beaten path—it was most definitely a “shitter.” If the acoustic tricks of “the ear” design were bad, hollow plaster walls, tile floors, and metal pipes were far worse. From the ugliest grunts, the longest farts, to bare butts squeaking on porcelain seats, the working man’s shitter was a veritable megaphone from the inside out.

I was startled at the occasional “Woah” echoing from inside those walls, which I can only assume meant a poor fellow came dangerously close to blowing an o-ring and was lucky to be alive. A flimsy ¾ wall partition shielded me from the men’s room door, and served as my only protection from putting a man’s face to his sounds.

Obviously, I’m missing something. There’s camaraderie among men when it comes to bathrooms. When two men passed each other entering or exiting the megaphone, I often heard the exchange of a simple “hey”—one a bit anxious, one a bit encouraging—that revealed a moment if you will, that let those two men relate in a shared experience. Women might translate this exchange as, “Glad everything came out ok. You look thinner, refreshed,” with the response, “Thanks, you go on in now and take care of yourself. You deserve it! Good luck.”

Maybe it’s a lack of emotional depth in other areas, maybe it’s the fact that they can pee standing up, but bathrooms seem to bring men closer together. A male co-worker told me a one time, “Hear you’re going with Joe and Wayne to Missouri to pitch the new training contract, congratulations!” I was completely caught off guard. What meeting did I miss? When was I put on that team? “I just saw Chuck in the men’s room. He told me all about it.”

You see, women never experience the notorious men’s room business meeting, when it’s possible that our hard-ass retired Marine Colonel and vice-president of the company, “Chuck,” happy and jovial after a serious sit-down long enough for him to peruse an entire issue of the Marine Corp Gazette, could get chatty with whoever happens to be at the sink washing his hands. I can see it now. Both men emerge from the stalls, adjust their belts, and heave a satisfied sigh. They catch each other’s eyes and, smiling, give a knowing nod that relays this unspoken dialogue: “I’ve killed men before,” says Chuck. “I know,” says his subordinate. “You’re all right, son. I’d shit in the woods with you any time.” They are men, and they have bonded.

Perhaps I am indeed jealous of men for their ability to go to an office bathroom without worrying about what pops, plops, shudders, squeaks, and pbllllllllp’s; jealous of the high powered business deals that I’ll miss until I work for a company that adopts a unisex bathroom policy; upset that I wear a tell-tale 9½ shoe.

Women across the country, even the world, deal with this issue, and it comforts me to think that the Queen of England occasionally takes a copy of The Mirror into the loo. Perhaps we could make women’s bathroom phobias a national awareness issue. Martha Stewart could be our spokeswoman, and write a book on empowering women through fearless bathroom etiquette.

I guess when you really think about it, bathrooms are not the enemy. The fact is, everybody poos. Anyone who says anything different is full of…

Thursday, June 19, 2014

Award-Winning Judges Announced for Local Writing Contest

Award-winning writers and teachers are set to judge the first tier of the 2014 Golden Nib writing contest, sponsored by Write by the Rails, Prince William County’s chapter of the Virginia Writers Club. Entries are due July 31 and first-place winners elevate to the state-level competition.

Prince William Today/InsideNoVa. Sports Editor David Fawcett will judge non-fiction entries. His awards include 2013 Virginia Press Association’s first place for feature writing portfolio, second place for feature writing story and first place for sports writing portfolio. He’s has been recognized 20 times by the Virginia Press Association, the Associated Press Sports Editors and the Local Media Association for his writing and he’s covered Prince William County for 25 years.

Fiction entries will be judged by Osbourn High School’s Ann Marie Stippey, English teacher with Manassas City Public Schools for 10 years and the 2014 Agnes Meyer Outstanding Teacher of the Year.

Recently named Prince William County Poets Laureate Dr. Robert Scott of Haymarket and Alexandra “Zan” Hailey of Manassas will co-judge poetry entries. Scott is a novelist, poet and English teacher at Osbourn Park High School and Hailey is an undergraduate at Virginia Commonwealth University.

The chapter deadline for Golden Nib is midnight, July 31 and—new this year—submissions will be required in email format in addition to paper format. Also new this year: Entries published in your personal blogs now qualify for consideration.

The original and one copy of each entry should be submitted by regular mail to: Maureen Arvai, The Brandt Group, P.O. Box 10102, Manassas, VA 20108 and ALSO by email to mjarvai@verizon.net . If using an overnight or private delivery service that requires a physical address use this: 9108 Church Street, #10102, Manassas, VA 20108. Please note all entries must be submitted to the local chapter for this first-tier process. Write by the Rails will recognize 1st, 2nd and 3rd place in each category. First place winners will advance to state level, if they are or become Virginia Writers Club members.

Other requirements:
Follow state guidelines, including format, as described here
One entry per category per entrant
Fiction category: 3,500 words maximum
Non-fiction category: 3,500 words maximum
Poetry category: 50 line maximum
No late entries—both paper and email must arrive by midnight, July 31, 2014
Manuscripts must be the original, unpublished work of the entrant, and a competition winner.
Entries published in your personal blogs are acceptable
Writing published in blogs other than your own or on social network sites or in an online publication are ineligible
Entrants must be in good standing of Write by the Rails, as evidenced by attending or volunteering for chapter events and activities. Information on joining available at: www.writebytherails.org

Monday, May 26, 2014

First Book by Local Writer Contains Essays about Love

Every generation has its John Cusack with a boombox; this is ours and he is holding up a pen. 

Never Lend A Book You Love To Someone You Only Like is a brutally honest collection of short essays about love by Garrett M. Carlson.

A Manassas resident, local English teacher, and member of Write by the Rails, the Prince William Chapter of the Virginia Writers Club, Carlson writes about love, romance, heartbreak, growing up, and growing old.

He read several of his essays at Arts Alive! at the Hylton Performing Arts Center on May 3. He also has performed open mic readings at Deja Brew Coffee House in Haymarket in good company with Piedmont Writers and published authors Robert Scott, and Milton Johns.

The public book release party for Never Lend A Book You Love To Someone You Only Like (This Charming Writer Publishing, May 2014, 170 pages) is being held at Giuseppe's Italian Restaurant, 15120 Washington Street, Haymarket on Saturday, May 31 from 7 pm to 11 pm and is open to the public. The book is $15.00, and Garrett M. Carlson will be signing copies.

Mixing witty banter with earnest prose, Carlson captures the sights and sounds of being a transcendent twenty-something in a dating world he just doesn’t quite navigate clearly yet. Never Lend A Book You Love To Someone You Only Like is inspired by love, British pop music, and an excruciating search for the elusive “one.” This collection is for those who dream of the impossible while experiencing the spark of an unrelenting first kiss, the heart palpitations of a traumatic breakup and the general awfulness of attempting to date in the 21st century.

Garrett M. Carlson is a transplanted Virginian originally from an island in Western New York. He was raised on a “healthy” diet of buffalo wings, pizza, and losing sports teams, and fostered his art while writing columns for the University of Buffalo student newspaper, The Spectrum. He has had several pieces published online at ThoughtCatalog.com, UBSpectrum.com and WritebytheRails.org. His love for love, the alternative rock band Brand New, and pushing the boundaries of self-realization fuel his writing. He combines brutal honesty and observational humor with his hopelessly romantic paradigm. 

If you can’t make the book release party for Garrett Carlson’s Never Lend A Book You Love To Someone You Only Like at Giuseppe's Italian Restaurant on May 31, robots are fetching Carlson’s book for customers at Amazon.com around the clock. To contact the author, visit his website at www.gmcarlson.com

Wednesday, December 4, 2013

Calls for Submissions and Contests

CALL FOR SUBMISSIONS

SPEECHLESS AND ROUTE 66
Speechless the Magazine will be publishing a feature on poems pertaining to Route 66—opened in 1926, decommissioned in 1985—the highway that gave rise to the country’s first franchise (Fred Harvey Restaurants), played a large (and long) role in the Great Depression, served as a corridor for people fleeing the Oklahoma Dust Bowl, and has been immortalized in the classic The Grapes of Wrath. They want strong, accomplished poems with interesting takes on the “Mother Road”.
Deadline: Undetermined

POETS.ORG AND LINES THAT HAVE SHAPED YOUR LIFE
Poets.org wants to know what lines of poetry have shaped your life. As executive director Jennifer Benka recently said "It's poets who sculpt ideas, images, and experiences in language that reverberates across our lifetime and beyond; whose lines we turn to for a distillation of truth we can hold like a mantra in our mind." You can share the lines of poetry that have sustained you by emailing Jennifer at JenBenka@poets.org.
Deadline: On-going

HER STORY ANTHOLOGY: WRITE TO HEAL ABUSE
Writing is one way to make sense of our experience and turn pain into art. Your insight matters, to you and to other women who don’t yet believe they can get out. Pick one moment when you knew something had to give, and for once, it wouldn’t be you. This anthology will contain short stories, either non-fiction or creative fictionalized accounts, of your experience which demonstrate creativity and clarity.
Deadline: December 15, 2013

VOICES ISRAEL 2014 ANTHOLOGY
Voices Israel announces the opening of submissions to the 2014 Annual Anthology (Volume 40). Submissions are accepted from Voices members and non-members alike. There is no fee for submitting poems to the anthology.
Deadline: January 31, 2014

MONTEREY POETRY REVIEW
Their vision is to publish the highest quality of poetry online from the many talented poets in Monterey and Santa Cruz Counties, as well as from poets anywhere with a connection to the Monterey Peninsula.
Deadline: February 15, 2014




CALL FOR PRIZES AND FELLOWSHIPS

WRITERS @ WORK FELLOWSHIP COMPETITION
Enter a series of poems, a short story, novel excerpt, or an essay. Winners in each genre receive $1000, publication in Quarterly West, a featured reading at the Writers @ Work conference, and 2014 conference tuition. The judges are Ellen Bass (poetry), Robin Hemley (nonfiction), and Michael Martone (fiction).
Deadline:January 15, 2014

GIVAL PRESS POETRY AWARD
A prize of $1,000, publication by Gival Press, and 20 author copies is given annually for a poetry collection.
Deadline: December 15, 2013

POETRY SOCIETY OF AMERICA CHAPBOOK FELLOWSHIPS
Four prizes of $1,000 each and publication by the Poetry Society of America are given annually for poetry chapbooks by poets who have not published a full-length collection. Two fellowships are open to poets 30 or younger living in any of the five boroughs of New York City, and two of the fellowships are open to poets of any age living anywhere in the United States.
Deadline: December 21, 2013

TUPELO PRESS DORSET PRIZE
A prize of $3,000 and publication by Tupelo Press is given annually for a poetry collection. Submit a manuscript of 48 to 88 pages.
Deadline: December 31, 2013

NEW AMERICAN PRESS POETRY PRIZE
A prize of $1,000 and publication by New American Press is given annually for a poetry collection. Jillian Weise will judge. Using the online submission system, submit a manuscript of 48 to 100 pages.
Deadline: December 31, 2013

THE FROST PLACE CHAPBOOK COMPETITION
A prize of $250, publication by Bull City Press, and a fellowship to attend the Frost Place Poetry Seminar will be given annually for a poetry chapbook. The winner will also receive a week long writing residency at the Frost Place in Franconia, New Hampshire.
Deadline: December 31, 2013

Tuesday, August 27, 2013

Three local writers to represent Prince William in state competition

Write by the Rails, the Prince William Chapter of the Virginia Writers Club, recognized winners of the chapter writing contest – the first tier of the VWC’s annual Golden Nib Contest – at their Aug. 15 meeting.

Of 178 networking local writers, there were 20 entries in the chapter contest (eight fiction, five nonfiction and seven poetry entries).  The distinguished panel of judges included Lillian Orlich, a guidance counselor in the Prince William County Public School System with 60 years of service (fiction); Kari Pugh, editor of Prince William Today (nonfiction) and Sofia Starnes, the Poet Laureate of Virginia, who graciously gave comments to the winning poets. June Forte, adjunct faculty at NOVA-Woodbridge and a member of VWC’s Board of Governors, organized the local contest.

These winners were chosen:
  • Fiction) First-Place: Cindy Brookshire, Manassas, “Woman of the Year”; Second-Place: R.P. Barr, Manassas, “Closing the Book”; Third-Place: Tamela J. Ritter, Haymarket, “Lima Beans & Barbie Dolls”
  • Nonfiction) First-Place: Carol Bellacera, Manassas, “And the Day Went Downhill”; Second-Place: Carol L. Covin, Bristow, “Remember Me”; Third-Place: June Pair Kilpatrick, Gainesville, “Reverberation: September 11, 2001”
  • Poetry)  First-Place: R.P. Barr, Manassas, “Seasons”; Second-Place: R. M. Goad, Woodbridge, “Bubble Wand”; Third-Place: Katherine Mercurio Gotthardt, Bristow, “Lincoln from the Grave”
First-place winning entries have been forwarded to the Virginia Writers Club (VWC) for statewide competition. Carol Bellacera, declined to go forward, so Carol L. Covin will advance in the nonfiction category. Statewide awards are presented during the VWC Annual Meeting in November in Richmond.  For more information about VWC, the Golden Nib Contest, the upcoming Teen Golden Nib Contest and Write by the Rails, visit www.virginiawritersclub.org/wbtr.

Monday, August 12, 2013

From Member Bill Golden

I have only great expectations for this week. Have spent the last week at Walter Reed (WR) National Military Medical Center with some of the most challenged and courageous individuals that you will ever meet. Overcoming challenge is what gives us purpose. As always, every Monday is the chance to start anew. So let the games begin!

You cannot walk the WR halls without meeting brave lives that were shattered by war but now being rebuilt by some of the world's best doctors, specialists, therapists and nurses. ... It can be awkward ... What do you say? 'Gee, you are looking good' ... How do you look without looking? Missing arms and legs and hands and feet have been replaced by every contrivance of possibility in what now borders on sometimes cyborg design. ... And then you realize that it all goes on ... yesterday cannot be changed ... many of these wounded warriors have a smile on their face and their family by their side. The children of these warriors seem to adjust to their changed parent ... lots of smiles and playfulness ... at least in the hospital where services are provided to help the entire family evolve to what comes next: living life and overcoming life's challenges.

About the nurses, I spent quality time with 7 or 8 of them. There must be a special pill that each takes when they start their shift. Every WR nurse that I experienced was cheerful. Scary cheerful. Positive attitude cheerful. 'What can we do to help?' cheerful. It is the nurses of WR that most definitely help bring you back to living life. Bless them.

One other thing that I learned: don't try to laugh while in the ICU as you are recovering from a collapsed lung. It hurts like hell. ... Was trying to peel a banana and just as I was about to eat it I must have squeezed too hard. The damn thing flew off like a rocket across the floor into the hallway. I rang my bell and the nurse retrieved my banana ... with comment 'Perhaps it is best to eat something else' ... it was a good laugh but I cried for almost 20 minutes afterwards.

Thursday, August 8, 2013

Call for Essays for Radio

1) WVTF: Looking for personal essays -- stories rooted in local experience. Listening Audience: 160,000 listeners in central and western Virginia and surrounding states. The presenter said she's seen essay accepted that just mention an area in their listening areas.  3:15 minute time slot (Just less than 600 words)
 
Presenter: Janis Jaquith. If you'd like her opinion on your essay and/or help with your delivery, mention her Virginia Writers Club Symposium's handout email her: Janis@radioessays.com . She can submit it to WVTF.

Some info on the station below:
The main broadcast center is located in Roanoke where a 12,000 square foot facility houses 11 studios, a large newsroom, state of the art operations, and staff offices. WVTF/RADIO IQ also has satellite studios/offices in Charlottesville’s downtown mall as well as news bureaus in Blacksburg and Richmond.
 
WVTF is our legacy public radio service offering a blend of NPR and regional/state news, classical music and Jazz as well as entertainment programs. TheWVTF network of broadcast signals includes 13 transmitters and translators serving central and western Virginia.    
 
The newer service, RADIO IQ and RADIO IQ With BBC News networks of signals feature a 24/7 news and talk format including content from the BBC, NPR, American Public Media, Public Radio International, independent sources and our own reporters and producers. The 2 RADIO IQ networks consist of 9 radio signals serving central, southern, and southwestern Virginia plus the Richmond metro and Fredericksburg/Spotsylvania County.
 
2) WMRA: Harrisonburg, VA will broadcast essays with political opinion in the "Civic Soapbox" series. The slot is 3 minutes long. Contact Martha Woodroof by email (didn't provide that) or phone: 800-677-9672. Submit essays to wmra@jmu.edu
 

Saturday, June 1, 2013

Women Authors Panel

banner 
Tuesday, June 18
| 10:30am-1:30pm
QUARTERLY PANEL FORMAT:
WOMEN AUTHORS
featuring

Ellen Crosby
Ellen Crosby is the author of six books in the Virginia wine 
country mystery series, as well as Moscow Nights, a standalone 
mystery based loosely on her time as Moscow correspondent for 
ABC Radio News in the late 1980s. Before writing fiction, she also 
 worked as a freelance reporter for The Washington Post and as an 
economist at the US Senate.

Her next book, MULTIPLE EXPOSURE, will be released on August 6, 2013 
by Scribner. The first in a new mystery series featuring photojournalist 
Sophie Medina, the story draws on her insider knowledge of Washington 
politics, her journalism background, and her stint as a Moscow reporter. 
After living overseas for many years--England, Switzerland, France, Italy, 
Spain, and the former Soviet Union--Crosby, who has an undergraduate 
degree in political science and a masters in international affairs, now 
resides in the D.C. suburbs of northern Virginia. Visit her website 
at www.ellencrosby.com and follow her on Facebook and Twitter.
Jeanne Dallman
Jeanne Dallman has her MFA from UCLA and is the author 
of novels, short stories and plays. She has been published 
by Bantam Books, The BBC World Service Programme, 
James A. Rock & Company Publishers, Brainstorm Books, 
and Hersam Acorn Newspapers. Ms. Dallman has been an 
Adjunct Professor for 23 years and has taught in the 
English Department of several Connecticut colleges. In 
addition, she is a national public speaker and a literary 
consultant providing assistance in the writing and editing 
of dramatic scripts and a wide variety of books.

Ms. Dallman also served as a Copy Editor for the NBC 
Network Press Department in New York City. In that 
capacity she was responsible for editing forty press 
releases a day, which she then sent out to various 
media outlets nationwide. She also served as Official 
Liaison between the Network Press Department and 
Promotion Managers at the 210 NBC affiliate stations. 
In that capacity she was responsible for fulfilling all 
affiliate requests for press materials and programming 
content.
Ginger Moran
A teacher, published writer and single mom of two boys,

Ginger Moran's areas of expertise are in fiction and

creative nonfiction, editing, coaching, and creative survival.

She holds a Ph.D. from the University of Houston in Literature

and Creative Writing and Bachelor's and Master's degrees in

English from the University of Virginia. She studied with

Donald Barthelme, Phillip Lopate, Rosellen Brown, Jim

and Mary Robison, John Casey, and Ann Beattie.

She has published in Salon.com, Oxford American,

Literary Mama, The Virginia Quarterly Review,

Feminist Studies and other journals.

THE ALGEBRA OF SNOW
was nominated for a

Pushcart Editor's Choice Award. She has written

three novels, a collection of essays about her years

as a single working mom, and a nonfiction book on

custody. She taught at Spring Hill College and Fisk

University and currently edits the University of Virginia

Women's Center magazine, Iris, and serves as the associate director.
reg
The cost of the luncheon is $45.00 if you register by the Friday before the 
 luncheon and $50.00 if you register after the Friday before the luncheon.  
No walk-ins please.


Thursday, May 23, 2013

The Way it Was

by Patricia Daly-Lipe

The  realization or recognition of old age kicks in when conversation turns to social norms. Why? Imagine what it was like in the 1940s and '50s for a child (me) in Washington, DC.
  
Every year, my mother and I flew from California to Washington to visit my grandmother.  She was an invalid, so often Hans, the chauffeur, would drive us to visit people and places. When in the city, I had to be properly attired. This meant  a dress, coat, and gloves. When my mother and grandmother wanted to speak privately, Hans would drive me to Haynes Point to roller skate under his supervision. Otherwise, they would converse in French (la langue diplomatique). So I learned the language by listening.

At the dinner table, I was not allowed to speak unless questioned directly. And one had to sit up. Never lean back in your chair.  

Many stories. A lost era.

Monday, May 20, 2013

The Concert

by Lianne Best



My daughter was in fifth grade. The last year of elementary school, and the first year of band. She was learning to play the baritone – an instrument choice that baffles me to this day; it doesn’t carry the melody, baritones are placed way in the back of the stage, and it was huge, a case as big as my skinny little girl, and we had to buy a wheeled luggage cart for her to carry it back and forth to school.

So it’s fifth grade, springtime, and the final band concert of the year. I’m sure it started at 7 p.m., all school events do, and we parents sauntered into the school multi-purpose room and arrayed ourselves on the folding chairs facing the stage. It wasn’t the first concert, so nobody was too concerned about being on time. And we were all dressed in our standard post-workday attire: dads in khakis and polos, moms in dark-wash jeans.

We chatted to each other as we waited for the program to begin. We parents had all known each other for years; this was just one more mandatory school event, the general weeknight inconvenience further complicated by the need to iron white shirts and the inevitable discovery that the black pants had been outgrown. It was all very anti-climactic and casual, just moms and dads looking at their watches and applauding politely.

Until the beginning of the second number. A new dad rushed in, worriedly late. Wearing a dirty baseball cap, torn canvas jacket, and paint-stained work pants, the Latino planted himself firmly in the aisle between the two sections of folding chairs. Deliberately he set a shopping bag at his feet, reached in and pulled out a shiny silver videocamera. He turned it on and trained it a dark-haired girl earnestly playing her clarinet. From my seat I watched his viewscreen, and he zoomed in and never strayed from what was obviously his daughter.

As the parents jostled and jiggled impatiently around him, the day-laborer dad never moved. He taped every remaining minute of the performance, never sitting, never shifting, never slouching. When finally the kids ended – did they play five, six numbers? I don’t recall, it was an unexceptional concert – he carefully turned off and put down his camera and, beaming, clapped and clapped.

His daughter saw him, looked down, bit her lip, and once she stepped down off the stage she rushed into her father’s arms.

I looked at all the khaki-clad bored parents around me and I was ashamed. I had just witnessed the American Dream in progress, and nobody else had even noticed.

Thursday, May 9, 2013

Michael F. Mercurio Releases WbtR Promotional Recordings

The following are audio-visual recordings produced by Michael F. Mercurio.  Michael is reading work by authors who are members of Write by the Rails.  In addition, he writes and performs the background music.  (If interested in this very reasonably priced service, email katherine.gotthardt@gmail.com.)

Here's to teamwork!  






Tuesday, April 30, 2013

The Unimportant List


by Alyssa Verner

In high school, I had a teacher who would say that someone or something "just made it to the top of [her] Unimportant List." I thought it was a great phrase, and my best friend Debbie and I actually started an Unimportant List.

Adding a thing or situation to The List was a way of recognizing that it wasn't worth our time, energy, or disappointment. It was cathartic to recognize it and move on. Debbie recently gave me a copy of The List, and over the past fifteen years, we've added an astounding 252 things.

It's interesting to see the chronology. In 1998, we were in high school, and it was mostly schoolwork and the frustrations of the cafeteria. There are a few things high school classmates did on there and neither of us even remember who they are. Life really DOES exist after high school. For example:

7. Essays and Hamlet and Heart of Darkness and St. Joan and Beowulf and summer reading and understanding poetry and analyzing it to death (Note: I actually like all of this literature now. Except Heart of Darkness--that still sucks.)
21. The lunch lady who acts all stingy with the apple juice.

This continued through 1999, as we prepared to go to college. I applied early decision to JMU, and even though I was eventually accepted, I was angry at the first rejection.

34. James Madison University

Then there were the college years:

80. People who puke in the elevators
84. Fire drills
88. My college boyfriend that broke up with me over instant messenger
128. Professors who don't make finals "non-cumulative"
129. The deviants at Virginia Tech who stole the toaster from the kitchen
145. 8 o'clock classes
179. mtv2 for always playing commercials

Usually the entries are funny, but one stands out. September 14, 2001:

159. Terrorists

After college, of course we got jobs, paid taxes, found places to live, and endured commuting:

213. Debbie's Leasing Office (except for their cookies)
216. Route 3 and I-95
220. Use of poor grammar
226. House prices that no reasonable salaried person/couple can afford in their lifetime
233. Anyone who creates more work for me
236. Congress
246. Beautiful weather on workdays

It makes me wonder what will end up on The List in the next decade. I'm going to guess things like dealing with insurance companies or having medical procedures. It's interesting how something SO important at the time is so insignificant now.

And finally, can things come off The List? Yes--they frequently do. What the heck were we thinking with these?

91. Mexican food
94. New Orleans
133. Starbucks hot chocolate
169. Flared pants

And so, not to put too fine a point on it, but there is a lot to be said for maturity, for forgiveness, for being grateful, and finally, for delicious, delicious tacos.

Monday, April 22, 2013

May 3 and 4 are busy days for us!

Heads up!  Friday, May 3, and Saturday, May 4, Write by the Rails members will be taking part in a myriad of local activities.  Join us in readings, signings, discussion and art appreciation!

May 3

6-9:30 pm

  • Members will be reading in Authors Alley during the Manassas Gallery Walk (on the terrace behind The Things I Love, 9084-9086 Center Street). Stroll around Old Town Manassas, check out local art, do some shopping, and then listen to readings by your fellow railers. 
7 pm
  • Rodney Jordan, author of Tired of Being Black, will be reading and signing his book at Prospero's Books (9129 Center St.) during the Gallery Walk. 

7 pm and beyond

  • Take part in Open Mic Night at Deja Brew (5311 Merchants View Square, Haymarket).  Share your best short fiction, poetry, shopping lists or political rants. The mic opens at 7:00, and we’ll stay up as late as we must to get everyone a shot at airing out their scribbles. Oh, and these days, Deja Brew serves wine and beer to accompany all your favorite desserts and high-test coffees. Hosted by Piedmont Writers.


May 4
noon-2 pm

  • Member Katherine Gotthardt will sign her newly released (traditional text) book, Weaker Than Water, as well as her older books, including Poems from the Battlefield, in front of Prospero's Books (9129 Center St. Manassas).

2-4 pm
                                               
  • Bull Run Regional Library will hold a Local Author Fair at Bull Run Regional Library (8051 Ashton Avenue in Manassas).  Chat with and purchase books from

Philippa Ballantine
Tom Basham
Carole Bellacera
Paul Berger
Carol Covin
Magdaline Desousa
Stephen Dittmer
Christyna Hunter
Edward R. Janusz
Margaret P. Johnston
Marvin Josaitis
June Pair Kilpatrick
Elanor Kindred
Ellen H. Korin
Claire Machosky
Tee Morris
Peter Ochs
Genilee Swope Parente
Lindsey Poppe
Laurel Porterfield
Ron Rauss
Tamela J. Ritter
Robert Rudney
Stuart Schadt
Robert Scott
Maria D. Stewart
F. Sharon Swope
April Wensinger
Gail Williams
Iris Williams
JD Winston